{"id":1281,"date":"2011-12-05T11:52:54","date_gmt":"2011-12-05T15:52:54","guid":{"rendered":"http:\/\/opensourcemusic.org\/?p=1281"},"modified":"2011-12-05T11:52:54","modified_gmt":"2011-12-05T15:52:54","slug":"third-stream","status":"publish","type":"post","link":"https:\/\/opensourcemusic.org\/?p=1281","title":{"rendered":"Third Stream"},"content":{"rendered":"<p>Earlier this fall I had the chance to go and listen to Gunther Schuller speak about his ideas regarding the Third Stream, in a gross simplification it is simply Schuller&#8217;s idea of what to call some sort of fusion between jazz and classical music. \u00a0Schuller explains it more deeply in his book <em>Musings: The Musical Worlds of Gunther Schuller<\/em>:<\/p>\n<blockquote><p>THIRD STREAM is a way of composing, improvising, and performing that brings musics together rather than segregating them. \u00a0It is a way of making music which holds that <em>all musics are created equal<\/em>, coexisting in a beautiful brotherhood\/sisterhood of musics that complement and fructify each other. \u00a0It is a global concept which allows the world&#8217;s musics-written, improvised, handed-down, traditional, experimental-to come together, to learn from one another, to reflect human diversity and pluralism. It is the music of rapprochement of <em>entent<\/em>&#8211;not of competition and confrontation. \u00a0And it is the logical outcome of the American melting pot: <em>E pluribus unum<\/em>.<\/p><\/blockquote>\n<p>Setting Schuller aside for a moment, I also heard later on in the semester that Mark O&#8217;Connor had spoken a bit on his idea of where music in the world was headed. \u00a0Unfortunately I was not able to attend the lecture where O&#8217;Connor made these statements, so they might just be hearsay and should be taken with a grain of salt. But via my friend Joy Adams, O&#8217;Connor seemed to feel strongly that American music was going to play a very strong role in influencing the music of the world in the future. \u00a0(<em>As an aside: it hasn&#8217;t already??<\/em>) \u00a0Joy insisted O&#8217;Connor meant American music in general but\u00a0I thought that O&#8217;Connor probably meant American folk music specifically, because that&#8217;s O&#8217;Connor&#8217;s <em>thing<\/em>. Much like Schuller writes that Third Stream is a philosophy of inclusiveness and any combination of cultural styles should be considered as such, Third Stream is widely held to represent the fusion of Avant Classical and Jazz.<\/p>\n<p>What interests me about these two musician&#8217;s ideas is that they may be on to something but I believe they are a little off in which direction the fusion between contemporary classical and a &#8220;popular form&#8221; is\u00a0occurring. \u00a0To be clear, Third Stream (Jazz + Classical) did happen, you can hear it ranging from Schuller himself to Milhaud, but as far as the future goes, I believe that indie music and bands like Radio Head and the singer Bj\u00f6rk are going to have a much greater impact on classical&#8217;s&#8221;fused&#8221; form rather than Jazz or folk music. \u00a0Just listen to young composers of the likes of \u00a0<a href=\"http:\/\/www.youtube.com\/watch?v=JSWzp4U8Nf0\">Nico Muhly<\/a>,\u00a0<a href=\"http:\/\/www.youtube.com\/watch?v=vMJMY6z2LjQ\">Missy Mazzoli<\/a>, <a href=\"http:\/\/www.youtube.com\/watch?v=nGtBzmK08QU\">Corey Dargel<\/a>\u00a0who&#8217;s sounds cross over heavily into indie-pop pop territory. \u00a0Granted much of what they do is an extension along the minimalist-post-minimalist-(whatever the hell we should call this movement) axis, but in our current version of the Third Stream, what&#8217;s wrong with a lot of cross-pollination?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Earlier this fall I had the chance to go and listen to Gunther Schuller speak about his ideas regarding the Third Stream, in a gross simplification it is simply Schuller&#8217;s idea of what to call some sort of fusion between jazz and classical music. Schuller explains it more deeply in his book Musings: The Musical [&#8230;]<\/p>\n","protected":false},"author":20001,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-1281","post","type-post","status-publish","format-standard","hentry","category-art-philosophy","odd"],"_links":{"self":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/1281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/users\/20001"}],"replies":[{"embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1281"}],"version-history":[{"count":2,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/1281\/revisions"}],"predecessor-version":[{"id":1283,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/1281\/revisions\/1283"}],"wp:attachment":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}