{"id":1305,"date":"2012-04-27T21:45:50","date_gmt":"2012-04-28T01:45:50","guid":{"rendered":"http:\/\/opensourcemusic.org\/?p=1305"},"modified":"2012-04-27T21:52:55","modified_gmt":"2012-04-28T01:52:55","slug":"hows-that-workin-out-for-you-john","status":"publish","type":"post","link":"https:\/\/opensourcemusic.org\/?p=1305","title":{"rendered":"How&#8217;s That Workin&#8217; Out For You, John?"},"content":{"rendered":"<blockquote><p><em>The present methods of writing music, principally those which employ harmony and its reference to particular steps in the field of sound, will be inadequate for the composer, who will be faced with the entire field of sound.<\/em><\/p><\/blockquote>\n<p>Cage, J. (1961).\u00a0<em>Silence: Lectures and writings, p. 4<\/em>. Middletown, Conn: Wesleyan University Press.<\/p>\n<blockquote><p><em>Before this happens, centers of experimental music must be established. In these centers, the new materials, oscillators, turntables, generators, means for amplifying small sounds, film phonographs, etc., available for use. \u00a0Composers at work using twentieth-century means for making music. Performances of results. Organization of sound for extra-musical purposes (theatre, dance, radio, film).<\/em><\/p><\/blockquote>\n<p>Cage, J. (1961).\u00a0<em>Silence: Lectures and writings, p. 6<\/em>. Middletown, Conn: Wesleyan University Press.<\/p>\n<blockquote><p><em><strong>IRCAM<\/strong>\u00a0(Institut de Recherche et Coordination Acoustique\/Musique) is a European institute for\u00a0<a title=\"Science\" href=\"http:\/\/en.wikipedia.org\/wiki\/Science\">science<\/a>\u00a0about music and sound and avant garde\u00a0<a title=\"Electroacoustic music\" href=\"http:\/\/en.wikipedia.org\/wiki\/Electroacoustic_music\">electro-acoustical art music<\/a>. It is situated next to, and is organizationally linked with, the\u00a0<a title=\"Centre Pompidou\" href=\"http:\/\/en.wikipedia.org\/wiki\/Centre_Pompidou\">Centre Pompidou<\/a>\u00a0in\u00a0<a title=\"Paris\" href=\"http:\/\/en.wikipedia.org\/wiki\/Paris\">Paris<\/a>. The extension of the building was designed by\u00a0<a title=\"Renzo Piano\" href=\"http:\/\/en.wikipedia.org\/wiki\/Renzo_Piano\">Renzo Piano<\/a>\u00a0and\u00a0<a title=\"Richard Rogers\" href=\"http:\/\/en.wikipedia.org\/wiki\/Richard_Rogers\">Richard Rogers<\/a>.<\/em><\/p><\/blockquote>\n<p>~Wikipedia<\/p>\n<blockquote><p><em>The UC Berkeley Center for New Music and Audio Technologies (CNMAT) was conceived and established by composer and Professor Emeritus Richard Felciano in the late 1980s \u2014 the operating budget officially commenced on July 1, 1989. CNMAT houses a dynamic group of educational, performance and research programs focused on the creative interaction between music and technology. CNMAT\u2019s research program is highly interdisciplinary, linking all of UC Berkeley\u2019s disciplines dedicated to the study or creative use of sound (such as music, architecture, mathematics, statistics, mechanical engineering, computer science, electrical engineering, psychology, physics, space sciences, the Center for New Media, and the Department of Theater, Dance, and Performance Studies). CNMAT\u2019s educational program integrates a Music and Technology component into the\u00a0<a title=\"reference on Department of Music\" href=\"http:\/\/ls.berkeley.edu\/dept\/music\/\" target=\"_blank\">Department of Music<\/a>\u2019s graduate program in music composition &#8211; it also supports the undergraduate curriculum in music\/technology for music majors and non-music majors.<\/em><\/p><\/blockquote>\n<p>~From\u00a0http:\/\/cnmat.berkeley.edu\/about<\/p>\n<p>So, John, particular steps in the field of sound have clearly become\u00a0inadequate\u00a0these days.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The present methods of writing music, principally those which employ harmony and its reference to particular steps in the field of sound, will be inadequate for the composer, who will be faced with the entire field of sound.<\/p>\n<p>Cage, J. (1961). Silence: Lectures and writings, p. 4. Middletown, Conn: Wesleyan University Press.<\/p>\n<p>Before this happens, [&#8230;]<\/p>\n","protected":false},"author":20001,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,61],"tags":[138,137,78],"class_list":["post-1305","post","type-post","status-publish","format-standard","hentry","category-art-philosophy","category-thoughts-on-music","tag-cnmat","tag-ircam","tag-john-cage","odd"],"_links":{"self":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/1305","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/users\/20001"}],"replies":[{"embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1305"}],"version-history":[{"count":7,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/1305\/revisions"}],"predecessor-version":[{"id":1311,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/1305\/revisions\/1311"}],"wp:attachment":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1305"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1305"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1305"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}