{"id":1597,"date":"2014-06-10T17:33:15","date_gmt":"2014-06-10T21:33:15","guid":{"rendered":"http:\/\/opensourcemusic.org\/?p=1597"},"modified":"2014-06-10T17:33:15","modified_gmt":"2014-06-10T21:33:15","slug":"i-should-refer-my-olderadult-students-to-this-article-when-were-working-on-bow-technique","status":"publish","type":"post","link":"https:\/\/opensourcemusic.org\/?p=1597","title":{"rendered":"I Should Refer My Older\/Adult Students to This Article When We&#8217;re Working on Bow Technique!"},"content":{"rendered":"<p><a href=\"http:\/\/plus.maths.org\/content\/why-violin-so-hard-play\">REALLY COOL!<\/a><\/p>\n<blockquote><p><span style=\"color: #000000;\">The conditions for minimum and maximum bow force can tell us something interesting about the difficulty of playing the violin. When a simple analysis is done of these two conditions, it turns out that they both depend, among other things, on the position of the bow on the string. Suppose the length of the string is\u00a0<\/span><img decoding=\"async\" class=\"math gen\" style=\"color: #000000;\" src=\"http:\/\/plus.maths.org\/MI\/f8e24dad66a651bb29c62850067f55ae\/images\/img-0001.png\" alt=\"$L$\" \/><span style=\"color: #000000;\">, and that the bow is applied a distance\u00a0<\/span><img decoding=\"async\" class=\"math gen\" style=\"color: #000000;\" src=\"http:\/\/plus.maths.org\/MI\/f8e24dad66a651bb29c62850067f55ae\/images\/img-0002.png\" alt=\"$\\beta L$\" \/><span style=\"color: #000000;\">from the bridge, where\u00a0<\/span><img decoding=\"async\" class=\"math gen\" style=\"color: #000000;\" src=\"http:\/\/plus.maths.org\/MI\/f8e24dad66a651bb29c62850067f55ae\/images\/img-0003.png\" alt=\"$\\beta $\" \/><span style=\"color: #000000;\">\u00a0is usually a rather small number for normal violin playing. Then it can be shown that the maximum bow force is proportional to\u00a0<\/span><img decoding=\"async\" class=\"math gen\" style=\"color: #000000;\" src=\"http:\/\/plus.maths.org\/MI\/f8e24dad66a651bb29c62850067f55ae\/images\/img-0004.png\" alt=\"$\\beta ^{-1}$\" \/><span style=\"color: #000000;\">, while the minimum bow force is proportional to\u00a0<\/span><img decoding=\"async\" class=\"math gen\" style=\"color: #000000;\" src=\"http:\/\/plus.maths.org\/MI\/f8e24dad66a651bb29c62850067f55ae\/images\/img-0005.png\" alt=\"$\\beta ^{-2}$\" \/><span style=\"color: #000000;\">. These two conditions can be combined in a graphical form first suggested by John Schelleng in the 1960s. It is most convenient to plot the bow force\u00a0<\/span><img decoding=\"async\" class=\"math gen\" style=\"color: #000000;\" src=\"http:\/\/plus.maths.org\/MI\/f8e24dad66a651bb29c62850067f55ae\/images\/img-0006.png\" alt=\"$N$\" \/><span style=\"color: #000000;\">\u00a0and the bow position\u00a0<\/span><img decoding=\"async\" class=\"math gen\" style=\"color: #000000;\" src=\"http:\/\/plus.maths.org\/MI\/f8e24dad66a651bb29c62850067f55ae\/images\/img-0003.png\" alt=\"$\\beta $\" \/><span style=\"color: #000000;\">\u00a0on logarithmic scales, so that the two power-law relations become straight lines. The diagram then looks schematically like this:<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/plus.maths.org\/issue31\/features\/woodhouse\/graph.jpg\" alt=\"\" width=\"456\" height=\"296\" \/><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>REALLY COOL!<\/p>\n<p>The conditions for minimum and maximum bow force can tell us something interesting about the difficulty of playing the violin. When a simple analysis is done of these two conditions, it turns out that they both depend, among other things, on the position of the bow on the string. Suppose the length of [&#8230;]<\/p>\n","protected":false},"author":20001,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61],"tags":[],"class_list":["post-1597","post","type-post","status-publish","format-standard","hentry","category-thoughts-on-music","odd"],"_links":{"self":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/1597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/users\/20001"}],"replies":[{"embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1597"}],"version-history":[{"count":1,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/1597\/revisions"}],"predecessor-version":[{"id":1598,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/1597\/revisions\/1598"}],"wp:attachment":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}