{"id":929,"date":"2009-08-11T11:55:15","date_gmt":"2009-08-11T15:55:15","guid":{"rendered":"http:\/\/opensourcemusic.org\/?p=929"},"modified":"2009-08-11T11:55:15","modified_gmt":"2009-08-11T15:55:15","slug":"the-sea-that-dried-up-and-became-a-parking-lot","status":"publish","type":"post","link":"https:\/\/opensourcemusic.org\/?p=929","title":{"rendered":"The Sea that Dried Up and Became a Parking Lot"},"content":{"rendered":"<p>I recently chronicled attending an avant <a href=\"http:\/\/opensourcemusic.org\/?p=870\">new music concert<\/a> at Teatro IATI where Bora Yoon would run what she sang\/played through a looping pedal.\u00a0 She would layer harmonies, melodies and pulses on top of each other to create a whole texture.\u00a0 She is not the only one to be using this technique.\u00a0 Here is a different take, content-wise, on how a composer might use a looping pedal in their electronic works.\u00a0 <a href=\"http:\/\/sideprojects.themajnunband.com\/thesea.html\">Jeremy Forbis<\/a> is a percussionist and pseudo-minimal composer and the great thing about his works, especially when compared to Ms. Yoon&#8217;s performance, is the density of the texture.\u00a0 There is a lot more going on.\u00a0 Take a listen to a few of these videos:<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"480\" height=\"385\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/joGLh-QYneI&amp;hl=en&amp;fs=1&amp;\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"480\" height=\"385\" src=\"http:\/\/www.youtube.com\/v\/joGLh-QYneI&amp;hl=en&amp;fs=1&amp;\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><br \/>\n<object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"480\" height=\"385\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/5xN4MBFWvnU&amp;hl=en&amp;fs=1&amp;\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"480\" height=\"385\" src=\"http:\/\/www.youtube.com\/v\/5xN4MBFWvnU&amp;hl=en&amp;fs=1&amp;\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p>On his website, he also has a really nice recording of him playing unaltered vibes, using over-laying technology called <a href=\"http:\/\/sideprojects.themajnunband.com\/goldvol1.mp3\">When You Strike Gold &#8230; Vol 1<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I recently chronicled attending an avant new music concert at Teatro IATI where Bora Yoon would run what she sang\/played through a looping pedal. She would layer harmonies, melodies and pulses on top of each other to create a whole texture. She is not the only one to be using this technique. Here is a [&#8230;]<\/p>\n","protected":false},"author":20001,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41,61],"tags":[],"class_list":["post-929","post","type-post","status-publish","format-standard","hentry","category-review","category-thoughts-on-music","odd"],"_links":{"self":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/users\/20001"}],"replies":[{"embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=929"}],"version-history":[{"count":5,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/929\/revisions"}],"predecessor-version":[{"id":934,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=\/wp\/v2\/posts\/929\/revisions\/934"}],"wp:attachment":[{"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/opensourcemusic.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}