Soviet Union Polemicist On Jazz Music:

“The dry knock of an idiotic hammer penetrates the utter stillness. One, two, three, ten, twenty strikes, and afterwards a wild whistling and squeaking as if a ball of mud was falling into clear water; then follows a rattling, howling and screaming like the clamor of a metal pig, the cry of a donkey or the amorous croaking of a monstrous frog. The offensive chaos of this insanity combines into a pulsing rhythm. Listen to this screaming for only a few minutes, and one involuntarily pictures an orchestra of sexually wound-up madmen, conducted by a Stallion-like creature who is swinging his giant genitals.”

From ‘Vilified, Venerated, Forbidden: Jazz in the Stalinist Era’ by Martin Lücke.



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