I don’t know these works at all (being a violist, this should make sense, since I never play violin + cello music) so I am quoting an article from Classical Archives
Schumann composed three trios for violin, cello and piano: in D minor, Op. 63; in F major, Op. 80 (both from 1847); and in G minor, Op. 110 (1851). The first of these, in D minor, is generally regarded as the strongest work of the three. An experimental approach to harmony in the F major Trio is usually given as a weakness when the piece measured against its Classical-era models, while the G minor Trio shows some signs of the decay that accompanied the composer’s encroaching mental illness. The intimate chamber music genres allowed Schumann to indulge his preference for intricate figurations and subtle harmonic inflections that are such a salient feature of his solo piano pieces. Not surprisingly, the piano chamber works are clearly piano driven, with the strings either following the keyboard part or acting in opposition to it as a unified block.
Music is below the break.
Schumann Piano Trio No. 1
- Schumann Piano Trio No. 1 Score/Piano
- Schumann Piano Trio no. 1 Violin Part
- Schumann Piano Trio No. 1 Cello Part
Schumann Piano Trio No. 2
- Schumann Piano Trio No. 2 Score/Piano Part
- Schumann Piano Trio No. 2 Violin Part
- Schumann Piano Trio No. 2 Cello Part
Schumann Piano Trio No. 3