There are a ton of Mozart Violin Sonatas out there and I’ve posted all of them below but you can also see them individually at IMSLP, or the Neue Mozart Ausgabe, where all of Mozart’s works, analysis of editorial issues and other scholarly stuff is cataloged.
The earlier K numbers in the set of sonatas [...]
This is the first complete quartet I performed in public setting, so it holds a special place of malice in my heart. The struggle that the viola and cello have in getting those 16th notes in the opening bar to match in articulation and duration is frustrating. As always, these are re-hosted from IMSLP.
These are the last ones.
Beethoven Piano Sonata No. 25 Beethoven Piano Sonata No. 26 Beethoven Piano Sonata No. 27 Beethoven Piano Sonata No. 28 Beethoven Piano Sonata No. 29 Beethoven Piano Sonata No. 30 Beethoven Piano Sonata No. 31 Beethoven Piano Sonata No. 32
Here are more parts!
Beethoven Piano Sonata No. 17 Beethoven Piano Sonata No. 18 Beethoven Piano Sonata No. 19 Beethoven Piano Sonata No. 20 Beethoven Piano Sonata No. 21 Beethoven Piano Sonata No. 22 Beethoven Piano Sonata No. 23 Beethoven Piano Sonata No. 24
This is one of the very first serious viola concertos after a long drought between the writing of this work and the Stamitz and Hoffmeister concertos. The problem with this work is that the Solo Viola doesn’t play for most the end of the piece, making it a terrible work to play on a recital [...]
I wrote part of this piece at the end of last year. It, like the last movement of my Viola Sonata, is in a semetrical mode consisting of the pitches, C, Db, Eb, E, F#, G#, A# (Bb). I feel it is very different from most of what I have written before, though still considerably [...]
More standard violin rep. Sonata 3 on Wikipedia
Two of these or Russian editions. If anyone has western editions throw them up on IMSLP and shoot me a link.
I don’t know these works at all (being a violist, this should make sense, since I never play violin + cello music) so I am quoting an article from Classical Archives
Schumann composed three trios for violin, cello and piano: in D minor, Op. 63; in F major, Op. 80 (both from 1847); and in [...]
Fauré is known for his flowing melodies and lucid harmonies. Listening to his music it is logical to assume he is the precursor to french impressionistic music which his later works often strayed towards. When you hear other composers stereotyping “french” music they often get something that is imitative of Fauré’s music, delicate but not [...]
The Brahms Cello Sonatas are part of the standard cello repertoire (duh!). I’ll post the score along with what Wikipedia has to say about the works.